Friday, March 30, 2007

Fred Thompson on Islamist Death Threats

Again, Fred thompson knocks it out of the park. This one is about the repeated death threats - and murders - committed by Islamist fundamentalist terrorists against anyone that dares to speak out against them, and against those who speak for freedom. How can anyone, anyone who is paying attention, fail to see the seriousness of the hate and reach of people who have made themsleves our enemies?

Ayaan Hirsi Ali can’t leave her Washington D.C. home without guards.


Born a Muslim in the African nation of Somalia, she was treated as property. Hirsi Ali, though, escaped a marriage, arranged by her father, to a cousin in Canada she’d never met.


Granted exile in the Netherlands, Hirsi Ali rose like cream and was elected to the Dutch parliament. She also wrote a script based on her experience volunteering in battered women’s shelters. There, she learned that her fellow Somali immigrants were maintaining the feudal ways she thought she had left behind.



But why does she need guards? Read on...






Filmmaker Theo Van Gogh, the great-grand-nephew of the famous painter, made her movie — but paid for it with his life. His Islamist murderer used a dagger to pin a note, promising Hirsi Ali’s death, to the director’s chest. Unsafe, and unwelcome to many, Hirsi Ali came to America last year and was able to live pretty much like a normal person.


But her new autobiography, Infidel, is out now and the usual suspects are furious that she would argue for the liberation of Muslim women. Due to serious and credible threats, she is once again surrounded by guards.


There were many Germans and other Europeans who came to America and warned of the Nazi threat in the 1930s, including writers and filmmakers. Can you imagine that any of them would have ever needed bodyguards?


Hirsi Ali does — right here in America. Yet too many people still don’t understand what our country is up against. They might if they read her book.


Courtesy of Fred Thompson on Paul Harvey, by way of National Review
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